The Santa Fe Book Arts Group and the Palace Press Present the Annual Art Flea Market
Open to the Public; All are Welcome; Tell Your Friends!
This highly anticipated, annual multi-vendor flea market features:
BAG members: Want to be a vendor? Email Andrea Cypress today at firstname.lastname@example.org.
Annual BAG Holiday Party
Saturday, December 1, 2018, 1 pm to 3 pm
Santa Fe Community College, Jemez Room
We will gather again at this end-of-the-year celebration to see displays, socialize, and share our common love of book arts. There will be:
- A full display of the Pantone Project showing off the mail art that has been created this year
- In Over My Head groups’ works
- The 2018 Collaborative Project books
- The annual Silent Auction
- An information table on the upcoming 2019 book arts exhibit at the New Mexico Rotunda Gallery
Saturday, December 8, 2018, 1 pm to 5 pm
At the home/studio of Julie Filatoff (SFCC area)
In this four-hour salon/workshop you’ll create a Traveler’s Notebook (TN), which you can use as a planner, sketchbook, journal, art journal, scrapbook, study guide, and so much more. Thanks to easily changeable inserts, you can use your TN for more than one purpose. All you need to bring is a short list of bookbinding tools; materials will be supplied.
Minimum students: 4. Maximum students: 8. If there is sufficient interest and a waitlist, a second salon may be added.
$35 (includes lots of supplies); must be a current BAG member
If the Traveler’s Notebook is new to you, please read this post:
Or fall down this rabbit hole.
Questions? Please contact Julie Filatoff, email@example.com, or Cyn Leespring, firstname.lastname@example.org.
Pastepaper and Beyond, a presentation by Madeleine Durham
In this presentation Madeleine Durham will talk about her magical pastepaper technique. She will give a brief history of what led to the discovery of her process and how she developed her technique to become what it is today. Madeleine will present slides of the progression of her work from discovery to present-day paste paintings. Look forward to an exciting visual feast!
In a moment of inspiration years ago, Madeleine Durham happened upon a way of creating pastepaper designs using a brush technique that has evolved into the paste paintings that she creates today. She shows her work in her hometown of Santa Fe, New Mexico, and around the country. She has produced special-edition work for Nawakum Press, Palace Press, Flea Circus Press, and one of the top three social media platforms. Her work has been used in one-of-a-kind books by Don Etherington and Monique Lallier, among many others. Madeleine’s papers can also be found in the collections of the Watson Library at the Metropolitan Museum of Art, the North Bennet Street School, the American Academy of Bookbinding, and the Morgan Conservatory. As a member of the Santa Fe Society of Artists, she displays and sells her fine wall art paste paintings during the warm-month weekends just off the city’s historic downtown plaza. More information: www.madeleinedurham.com.
Contemporary Pastepaper Technique, a workshop with Madeleine Durham
Madeleine’s pastepapers are a unique creation and a brilliant way to add a contemporary look your creative book art, collage, and calligraphy creations. In this workshop you will learn the brush technique that she has developed. You will learn what kind of brushes work best and how to hold and move them so that you create a variety of lines, shapes, and patterns. You will leave the class with a basic knowledge and the ability to create straight lines, wavy lines, subtle blending techniques, and geometric patterns. Madeleine’s pastepaper technique is delightfully spontaneous. Come to class ready to have fun! A short tool list will be sent upon registration. Paper and special brush are included in your fee.
Class Size: Limited to 12 participants. Cost: $95 including materials fee. To register, send a check for $95 (payable to BAG) to Laura Wait, 108 Calle Francisca, Santa Fe, NM 87507, postmarked no earlier than October 15, 2018. For more information, contact Laura Wait at email@example.com.
Different Culture—Different Answer? Teaching Conservation Across Borders, a presentation by Lois Olcott Price
Do we value material cultural primarily for the physical object? Or because it somehow embodies the culture that made and used it? Can we divorce the object from the culture and from its role—past, present, and future—in that culture? These questions become particularly poignant as we view the ISIS destruction of the ancient Assyrian capital of Nimrud, the centuries of craft tradition applied to the restoration of the Forbidden City in China, the evolution of Mexico’s traditional retablos, and the withdrawal of sacred Puebloan artifacts from exhibition and study collections.
As conservation of cultural heritage has become an increasingly international discipline, conservators who trained and spent decades practicing in the American/European/fine arts tradition have been challenged to adapt to widely cultural environments and assumptions when they are recruited to teach abroad. Lois Olcott Price has taught in Europe, Mexico, Iraq, and China, often in collaboration with local and international colleagues. Each of these experiences has challenged traditional assumptions about cultural heritage and the why, the how, and for whom we seek to preserve it.
Lois will discuss her experiences as they relate to these questions and her deepening understanding of the critical role preservation of material culture plays in healing and reuniting cultures that have suffered trauma and conflict.
After a long career in book and paper conservation, Lois Olcott Price retired as Director of Conservation at the Winterthur Museum in Delaware in 2015 and moved to Santa Fe in 2017. She continues to research, consult, teach, and lecture on issues related to library and archival conservation, advocacy, and conservation education. Currently involved in training cultural heritage professionals in Iraq, she will return to the Iraqi Institute for the Conservation of Antiquities and Heritage in Erbil in September to meet with colleagues and plan future projects.
Capturing Sunlight, a presentation by Louise Grunewald
Open to the Public; All are Welcome
Friday, March 8, 2019, 7 pm to 9 pm
Travel with Louise on her journey through calligraphy, design, and printmaking via letters, books, and broadsides.
Louise Grunewald teaches lettering, design, and printmaking workshops nationally and maintains her studio, Western Hands, in Durango, Colorado. Her artistic passions include lettering, Solarplate printmaking, watermedia painting, drawing, and book arts. The texts in her books are her own original writing. Louise’s studio work is largely inspired by time spent outdoors, and often taken from her sketchbook impressions of the natural world. Her work can be seen in numerous private and public collections, including the Fray Angelico Chavez History Library of the New Mexico History Museum in Santa Fe, the Portland Art Museum in Oregon, and the Klingspor Museum of Book and Letter Arts in Offenbach, Germany.
Solar-Powered Prints, a workshop with Louise Grunewald
Students will learn how to transfer their images to a UV-sensitive Solarplate using the power of the sun. We will begin by preparing an image for exposure onto a Solarplate. Techniques for exposing the plate, preparing paper for printing, inking the plate, and running small editions on an etching press will then be covered.
This versatile process is suitable for almost any kind of image, including words and text. While learning the exposure process, students will be free to experiment with creating a variety of images, from simple to more complex. Any written words or text can be transferred to a plate and then printed out in the correct (readable) orientation. Writing and imagery can be combined. Students can draw, paint, or collage their work, or use their photographs to print from. We will work with non-toxic, water-based inks to ensure safety for the environment and the participants. The intent of this class is to teach the very accessible technical aspects of the process in an atmosphere of fun and guided experimentation. Students will end the weekend with small editions of their images and an increased understanding of the world of printmaking. This class is open to all levels. No printmaking experience is necessary. A letter from Louise and a tool list will be sent upon registration. Solar plates and paper will be available for sale at the workshop.
Class Size: Limited to 12 participants. Cost: $ 175. To register, send a check for $175 payable to BAG, to Laura Wait, 108 Calle Francisca, Santa Fe, NM 87507, postmarked no earlier than December 15, 2018. For more information, contact Laura Wait at firstname.lastname@example.org.
Assemblages and Exclamation Points, a presentation by Patricia Pearce
Patricia Pearce’s work was described by one prominent art magazine as “an exclamation mark in a sea of commas.” Another reviewer called her assemblages “baroque gone wild,” and said her newest work looks as if it came from the set of Game of Thrones—dark but alive with mystery. Patricia will present images from her vast array of artistic endeavors. Her rich and supple creations are the products of a lifetime of making art. She has worked in sculpture, painting, collage, wood and bronze sculpture, and printmaking. Today she calls herself a “creative expansionist” because she can’t restrict her imagination to one conventional medium. Her unique art draws from all her exploration—and continues to do so every day she is in her studio.
Patricia Pearce holds a BFA from the University of Cincinnati and has performed graduate work in art at the University of New Mexico and Amherst College. She has made her home in Santa Fe, New Mexico, since 1981. In addition to creating her found-object sculptures and works on paper, she has taught for more than 20 years at Santa Fe Community College, where she is presently the head of the printmaking and book arts department. She has also studied and taught in Florence, Italy. Patricia’s prize-winning work can be found in private collections throughout the United States and in Europe.
Body Language: Paper Garments and Wearable Books, a presentation by Erica Spitzer Rasmussen
Through images and stories, Minnesota artist Erica Spitzer Rasmussen discusses the development of her artistic practice. Regarding her paper garments, Rasmussen has stated, “I used clothing as subject matter because it allows me a ground on which to investigate identity and corporeality. My garments can encompass narrative qualities, illustrate and dissolve bodily fears, or act as talismanic devices to protect myself and loved ones from physical injury or psychological harm.” Regarding her books, she has said, “I began making books when a figurative painter-friend started portraying her female characters in giant Flemish ruffs. At first it was just a technical challenge. But I soon learned that bookmaking had the potential to incorporate sculptural methods and harbor meaningful content.” In addition to addressing the conceptual aspects of her work, Rasmussen also discusses her embellishing techniques with non-archival media.
Erica is an artist who creates handmade paper garments and small editions of hand-bound books. She received her BFA and MFA at the University of Minnesota (Minneapolis), which included coursework in Mexico and Greece. Rasmussen is a recipient of the 2018 Minnesota Book Artist Award and various grants from the Minnesota State Arts Board (1999, 2015, 2018). Other professional highlights include a papermaking residency in Vienna, Austria (2010), a solo exhibition in Mexico City, Mexico (2012), and two bookbinding residencies in Venice, Italy (2016, 2018). Her work has been featured in such magazines as FiberArts, Surface Design Journal, American Craft, and Hand Papermaking. Rasmussen teaches studio arts as a full professor at Metropolitan State University in St. Paul, Minnesota. Her artwork is exhibited internationally, and it resides in such collections as the Minneapolis Institute of Art, the Minnesota Center for Book Arts, the Minnesota History Center, Ripley’s Believe it or Not! Museum (Hollywood, California), and the Biblioteca Nazionale Braidense (Milan, Italy). Visit https://ericaspitzerrasmussen.com/
From Bubble Wrap to Bottle Caps: Embellishing Handmade Paper with Everyday Media, a two-day workshop with Erica Spitzer Rasmussen
Saturday, July 20, and Sunday, July 21, 9:30 am to 3:30 pm
Santa Fe Community College Book Arts Room
This two-day workshop features low-tech methods for surfacing paper with inexpensive and commonplace materials. Among other things, dental floss, Band-Aids, red wine, beet juice, rusty washers, tomato paste, fire, and instant cocoa can provide surprisingly beautiful results. Students will be encouraged to paint, stitch, stencil, and laminate an odd assortment of supplies into decorative designs that can be applied to their bookmaking practice. Experiments will be compiled into a pamphlet-stitch swatchbook that documents the various media and techniques explored in class.
Students are asked to bring two tubes or bottles of acrylic paint, a blow dryer or heat gun, and wear messy clothes. Class Size: Limited to 12 participants. Cost: $175. To register, send a check for $175 payable to BAG, to Laura Wait, 108 Calle Francisca, Santa Fe, NM 87507, postmarked no earlier than March 8, 2019. For more information, contact Laura Wait at email@example.com.